AISHA, Seeing Beyond the Frame

My name is Aisha Ajewo, I’m a Photographer.

Your photography often captures the beauty in the mundane and the evolution of urban spaces. What draws you to these everyday moments, and how do they reflect your own story as an urbanist?

My introduction to photography was mostly through unplanned portraits of friends and family which eventually changed when I moved to Toronto. I was taking in the spaces around me. At the same time, I was introduced to the concept of a Flaneur in an urban planning class in university, which is someone that can be described as an “Observer of Modern Life”, a person who strolls through the city without a fixed purpose, taking in sights, sounds, the atmosphere, the modern city and the urban environment. This Flaneur watches and experiences spaces in a detached but curious manner, making sense of the rhythms of city and urban life. 

In a way, I started to embody that into my photography the more I went out, and the more I leaned into understanding and capturing the spaces around me. To me, street photography and the urban environment have a deep connection, reflecting the social, architectural and cultural fabrics of cities but it's also a form of urban storytelling, showcasing the identities and cultures within spaces, and reflecting on the diversity, inequality and vibrancy of urban life. 

Street photography, intersected with urbanism to me embodies a sense of temporality, capturing moments that, although may seem mundane, are transient and unique to specific times and places. From an urbanist perspective, cities, especially Toronto, are experiencing constant change, and I have passively been capturing those changes from my eyes through the years. These photos have almost become mementos showing how the urban environment and human activities evolve over time. Toronto in particular is an amazing place to practice as a street photographer, every neighbourhood is so different and there is so much going on. A lot of my street photography includes people as well because they create the energy of the places that we’re around. I’ve been lucky to practice street photography in Toronto, although it takes some level of self awareness to photograph people, I find that people are generally okay with being photographed. 

More recently, I’ve noticed more prominent themes in my photos such as the rapid urban change that is happening around us (all these condos and development!). It's a very interesting paradox because as a professional, I’m very aware of the built environment and priority issues such as housing, displacement, architecture, design etc. and as a creative, I have chosen to highlight these issues and present them in a visual way to maybe reach people. Whether it's photographing buildings under construction or defaced development signs, there’s always a story to tell with what is happening, seeing those physical changes, but more importantly the underlying voice of people’s voices on these changes. If you look closely enough and listen well, you will see the patterns and moments.

As a Gambian artist based in Toronto, how do your cultural roots influence your creative vision and storytelling, especially in projects like "By the Sea"?

My cultural roots, my upbringing and the environment around me definitely influences how I create my vision and storytelling. By the Sea is a project near and dear to me that I unintentionally created. It was a trip I took back home to Gambia during the pandemic (after 2 years of lockdown) and I think we all remember how the pandemic went, the seclusion, isolation, grief and stillness that we all experienced. When I got to Gambia, I spent a lot of time by the water as it's always a conduit to me finding peace and it was the first time that I was intentional about having my camera with me all the time. This was not the best time for me in my personal life, but somehow the photos to me almost when I look at them now, almost illustrate the sense of peace and clarity I was seeking at the moment in my life. 

Not only was it based around an environment (the ocean) that I always gravitate towards, it also included me incorporating more people into my street photography and pushing past that fear. Pictures of people working on the land and the sea, the life of a day to day Gambian making it work. 

It was actually a turning point for me and my street photography in Gambia, whereas most of my photos were taken in Toronto, London, etc., there has always been a sense of slight apprehension to practice more street photography in Gambia, but this was a turning point for me in feeling comfortable to take photos of people. Being able to meet, connect with people, learn about their stories and explain mine as well gave me a sense of comfort. I’m actually currently working on expanding on this body of work now that I have had the time to digest it properly and understand its meaning to me. 

In your series “Bathroom Break,” you explored the intimate and shared moments of girlhood. What was the creative process behind this project, and what did you learn about girlhood and community through it?

Bathroom Break was an incredible project to work on with my friend Oyin who is also a producer and creative (shoutout to Oyin!). She had this concept for a while based on her own personal experiences (which many young adolescent girls can relate to) about intimate and friendship building moments that we experienced in school bathrooms growing up and wanted to be a photographer. 

We actually applied for a grant for Bathroom Break through an art residency with XiR, which made the experience even more meaningful. We received guidance, resources (very important) and physical space to showcase the photo series. 

I think what made this experience incredible was that the story just felt so close to me and other girls I knew who could identify, so that made it very easy to tap into the emotion(s) that we were trying to capture. Having that youthful, fun, curious and positive attitude really helped push the project along and I think at the core of everything, we were seeking to tell a visual story that people could look at and immediately feel connected to. Even the team that we built was very intentional, everyone understood what we were aiming to achieve, they connected to the story which made it that much easier to execute. 

As a photographer, of course it was a little nerve wracking as well - as a street photographer who enjoys the freedom of being outdoors, having to produce a project in a bathroom (a small one might I add) and work with talent was something new but exciting! 

We were very keen on having young models as part of the shoot to make it feel real and relatable, and the main character of the photo series was actually a teenager with no modelling experience and I honestly think that was the best decision we could make. We got a team of makeup artists, production lighting, styling and producing and together we were able to create something that was fun and meaningful to us! The entire team was mostly women and that in itself made the moment more special as we were able to recollect on our past memories as young teenagers as well and it truly felt like a moment of girlhood to not only bring the concept to life, but also create avenues for discussions and reminiscing when we had the exhibition! 

Street photography is such an honest art form. Can you share a memorable moment or subject you’ve captured that has left a lasting impression on you?

I would have to say, my favourite street photography moments have been my experiences at the Caribana Parade. I’ll never forget the first time I attended the parade to take some photos on film and not only were the people beyond beautiful, the energy was just great and you could tell that people wanted to and were okay with getting photographed. I really thrived in that environment because it felt like an energy exchange with the people I was taking photos of and it left a lasting impression on me. I ended up making it a tradition where I would take film photos at every Caribana Parade (between 2017-2022). The photos always captured an energy that reminded me why I love Toronto. Although it's a curated event, the energy of the people and the place on the day off made it a unique form of street and documentary style photography. 

I remember seeing old photographs from the 80s, 90s, and early 2000s of Caribana and in those moments, it made me reflect on where my work fits in capturing these events in current times and how people in the future could potentially be looking at my photos as well as part of the general storytelling narrative of capturing this beautiful, unique and diverse part of the city. In a way, I like to think about some of my work through this lens, yes I am the one taking the photos, however it fits within specific themes that others in the past have photographed and what others might photograph in the future as well. So in a way, it sometimes almost feels like a duty (not in a bad way) to capture, document, enjoy and absorb. 

It’s always an honour to photograph people at Caribana, maybe I should go this year!

Being a multidisciplinary artist, how do you balance your passion for photography with your work in creative direction and urbanism, and how do these disciplines inform each other?

I’ll start by saying, I am still figuring out the balance and I think it’ll be a lifelong thing I seek to understand as I deepen my artistry and my creativity. I still remember in university, I kept wracking my brain about how to connect academia and professionalism (urban planning) and photography and somehow my work over the last few years has been an act of connecting those dots. So I say this to say, sometimes the connections might not be as obvious, especially as someone who considers themselves as a multi-disciplinary artist, but you just have to choose to satisfy those interests.
I think what helps me seek and achieve this balance (not always successful) is curiosity, digging deeper and asking questions (even if it's just to yourself). I think at the heart of being an artist, photographer, and documentarian is to be curious and to seek knowledge of the world around you and yourself. I most certainly think that my passion for photography/creative direction and urbanism inform each other, particularly with my street photography. 

As someone who documents change, whether through urban life or personal moments, what message or feeling do you hope viewers take away from your work?

I always encourage people to take away what comes to them the easiest and most presence because i think we all interpret and see things differently, but at the core art of the work that I do, i want it to almost be like a reminder to people that they can document what they are seeing from their world and their perspective and we all have that ability to bring meaning to things that they care about. I hope to bring feelings of memory, love, warmth, safety and awareness. 

WHAT ARE YOUR 5 MOST LISTENED SONGS?

KHADIJAH, a musical artist.

My name is KHADIJAH LOPEZ and I’m a musical artist

In your view, what’s the balance between art being a form of self-expression and a tool for community impact?

I believe all self expression-especially in arts, are tools that will impact society whether intended to or not. I think the real balance to be had is to make sure that there are a variety of voices being featured in our industry so that every person has an opportunity to be exposed to the art that would be beneficial or healing or entertaining for them.

How does your spiritual journey influence your creative process and the stories you choose to tell through your art?

My spiritual journey has made me a more compassionate person…and through that made me a better story teller.

looking back on your career so far, is there a piece of advice you wish you could have given your younger self when you were just starting out?

Kick fear to the curb, and do it quickly. It’s gets harder the older you get.

in a creative field that’s often competitive, how do you stay true to your voice and purpose while navigating external pressures or expectations?

I stay true to my voice by making an intentional effort to check in with myself every step of the way and make sure my “no” means no, and my “yes” means yes. As far as navigating external pressures and expectations- I view it as insider knowledge lol and a tool for self discovery.

If I feel a “pressure” from something that could mean that particular thing doesn’t align with me for one reason or the other, or maybe that particular thing is highlighting something about myself that I’m running from and need to resolve. In general it helps me to view things that could be deemed negative, as neutral information. It changes my relationship with the “pressure”, and allows me to see the choices and opportunities surrounding it.

BRITTANY, miss enjoyment minister

My name is Brittany Ashmeade aka Littlemissbritt

What do you do?

By day my life is pretty routine, I work a 9-5 in case management with years of experience in the mental health sector. Outside of that, I bring my passion for enjoyment to life as a lifestyle, food, and travel content creator in Toronto. Many know me as Littlemissbritt. I highlight exciting events, travel experiences and must try food and activities in Toronto and the GTA. I transition between being a content creator, influencer and host and I love it.

What’s a personal story or experience that influenced the way you create?

I don’t have a personal story that influenced the way I create, it’s really just driven by what I enjoy and what I think others might love too. I’ve been creating since 2016, but in recent years, I’ve become more consistent simply because I love sharing great places, events, and experiences beyond my core circle. For me, it’s all about capturing the joy in the moment and bringing others along for the journey.

Was there ever a moment you wanted to quit? What pulled you back in?

Yes, I’ve thought about quitting everyday. It’s difficult when the content you put your all into

doesn’t get the attention you hoped for, especially compared to something you posted with minimal effort. But knowing that even a small group of people genuinely appreciate my content always pulls me back in. My audience reminds me why I create no matter the numbers, especially when I meet people in person that tell me they love my content.

What’s one thing about your journey that people often misunderstand or overlook?

One thing people often misunderstand about my journey is how much thought, time and effort go into making everything look effortless when posting. People see the final product like a voiceover video or a nice meal or an exciting event but don’t know the behind the scenes and how long it actually takes to curate certain 20-60 second videos.

What’s the hardest lesson you’ve learned about yourself through your contents?

The hardest lesson I’ve learned about myself through my content is that consistency isn’t just about posting, it’s about showing up even when I don’t feel like it. I’ve learned that staying motivated is hard but it’s so important to realize growth takes time so you just have to trust the process when building your content and your brand and just keep at it.

If you could speak to your younger self at the start of your creative journey, what’s

one piece of advice you’d give?

The best advice I could give my younger self is to stay consistent, stay motivated and stay true to your content even when the numbers fluctuate. Keep it authentic. Remember your audience will always find you so continue to show up for yourself and trust that every post is a step toward something bigger.

What are your top 5 song right now?

TAYOW -The Architect of Your Own World"

My name is TAYOW , Pronounced TAY - OW and it's an acronym for "The Architect of Your Own World"

What do you do?

I'm a performing artist primarily a vocalist, actor and an experiential curator for my people dem

When everything is stripped away—the accolades, the videos, the travels—who is TAYOW at her core?

At my core, I think I'm just guided by the intense desire to impress my inner child.

What was the emotional or personal turning point that led you to create this project called Democrazy?

I was in the mountains of Trinidad and Tobago during the height of COVID in 2020 and was thinking a lot about our world and reflecting on the times. I was talking a lot with my dad on whatsapp and we were having long conversations connecting the past and the present and we just started writing this project.

Your storytelling carries a lot of emotion. What is the most painful story you’ve ever told through your work?

For me, I think the double edge sword of being vulnerable in my art is that the most painful story is the hardest one for me to let go. So, I haven't told that story yet. Maybe one day!

Have you ever struggled with imposter syndrome or self-doubt? How do you push past it?

YES! I even wrote a song about it called "Self-doubt" ! she's very real and she's a B****

If it's really bad I journal and talk myself through disproving the negative thoughts but if it's a small moment of second guessing myself I have a strong support system to snap me out of it. I'm very grateful for them!

If your work could only be remembered for one thing, what would you want that to be?

For having a clear vision of audacity!

WHAT ARE YOUR 5 MOST LISTENED SONGS?

Colors byAnais Cardot

Democrazy by Tayow

أهل العمار by Esaam Satti X Ali Naseraldeen

BOOM BAP by Doechii

We People Who Are Darker Than Blue (Live at The Bitter End NY) - Curtis Mayfield

YANAMINAH the curator of art.

My name is Yanaminah

I'm a multidisciplinary curator and creative based in Toronto

Your art often feels deeply personal—how do you channel your inner experiences into your creative work?

Firstly, I work through questions I’ve had about my own personal development and also my view on world issues. I like to think about the ways we are all interconnected whether it’s through joy, social media, and even economic crisis. My creative work is both introspection and catharsis.

What’s the most challenging project you’ve ever worked on, and how did it shape you as an artist?

My most challenging project was my first exhibit “we do not dream of labour”, which unironically required a lot of labour. I had 30+ artist and 50+ artworks to manage. There was something to prove to myself and so many other people at that point because I didn’t come from a traditional art background. I also knew that I was carrying the weight of community and ensuring our voices were heard in a space that historically didn’t represent Black artists. It shaped me as an artist because it allowed me to develop other emerging artists while newly becoming a curator at the same time. It stretched my capacity way past a limit than I could’ve imagined, it empowered my decision-making skills and my trust in my vision. It expanded my networks in every way. It led me to more creative opportunities and collaborations. It set the tone for what my career looks like now. I needed that.

How do you approach balancing the vulnerability of sharing your work with the world while protecting your creative spirit?

Balancing these two aspects is a constant journey. I find that authenticity is key. I also speak through my most genuine self and a lot of people connect with that. I do a series on Instagram where I show people the behind the scenes of my work because I want to exercise my vulnerability in that way. What is nice about being a curator is that I get to tell stories through other people’s mediums. I get to amplify other people’s narratives as it aligns with my vision and create shows out of this. The vulnerability is required from everyone in the process and it’s a beautiful thing to get to share that but also bring that out of others.

Another one of my creative medium’s is poetry (and spoken word) which a lot of people don’t know. I often do open mics and it’s just one of those things I don’t share on social media as often. I guess I also do this to protect that aspect of my creative spirit. Writing was my first creative love and I believe where I’m most vulnerable so I keep that close.

In a world that increasingly values speed and output, how do you maintain authenticity in your creative practice?

I try to go at my own pace and remind myself that my supports and communities will always be there when I’m ready. I feel like this pressure around speed or perhaps instant gratification comes from constant sharing on social media. I know that the output is rooted in capitalism and I can’t help but get caught up in that sometimes. No matter what, I don’t let that compromise my authenticity in my creative practice. When I’m sharing on social media, I like to come from a genuine place so I try not to rush myself there so I often post long after my experiences.

In my curatorial practice, I often collaborate on a timeline with artists (and others involved) so it allows for ideas to flow. With the events I host, I’ve learned that while there’s benefit to being booked and busy, it’s important to go at a steady pace. It can be overstimulating at times but also draining so I often say no to certain opportunities if my schedule becomes to back to back. At times, there are last minute schedule changes and timing that could be out of my control, but I try to prioritize my wellbeing no matter what. That’s how I stay true to myself.

What inspires your creative process the most: people, places, or emotions? Why?

People inspire me the most. They are the driving force behind my art, allowing me to express the full spectrum of human experience. I love people and I’ve always been a social and extroverted person. I am fascinated by the complexities of our emotions, actions, and thoughts. I like to find the connections between us all almost in a sociological way. I believe God also inspires me most because he is the first creative and The Creator. Often times, I could just be chilling or interacting with somebody and an idea just comes to me immediately, and I believe that is spiritual

WHAT ARE YOUR 5 MOST LISTENED SONGS?

Gorah (mixed) - Nitefreak & Emmanuel Jal

jazz is for ordinary people - Berlioz

Cool - Daniel Caesar

my future - Billie Eilish

Ohema - Victony ft Crayon & Bella Shmurda

CHOLTU the founder of Toronto Black Archives

My name is CHOLTU

I’m a film director, cultural worker and founder of Toronto Black Archives

What inspired you to establish the Toronto black archives, how was the journey shaped your understanding of black history in Toronto?

What inspired me to establish TBA is my passion for Black history and stories as well as noticing the massive lack of documented and preserved history of Torontos Black community. I wanted to share our history and stories as well as make the archives accessible for wider audiences. This journey has reinforced how much Black history in this city has faced erasure and the importance of documenting and preserving our presence here.

How does your work as a film director intersect with your passion for chives and cultural preservation?

My work as a film director intersects with my passion for archives and cultural preservation through the stories within the African diaspora that I am inspired to tell, thus preserving our history. In the process of creating the film that I am currently working on, I am using archival imagery to help tell the story.

In your view, how can cultural work and wellness be woven together to support community healing and resilience?

In my view, cultural work and wellness can be woven together to support community healing through harvesting a deeper understanding of ourselves and our ancestors journeys to allow us permission to radically prioritize our wellness once we understand the sacrifices that it took for us to even exist. Also learning about and applying indigenous ways of being is highly beneficial to our holistic wellness.

If you could collaborate with one historical figure or contemporary Artist, who would it be?

I’d probably collaborate with Steve McQueen, I really enjoyed his Small Axe drama series.

WHAT ARE YOUR 5 MOST LISTENED SONGS?

Huh by Doechii

NUEVAYOL by Bad Bunny

Slide by Doechii

Boiled Peanuts by Doechii

Waiting in Vain by Bob Marley

CHENAI, the Creative Conductor

My name is CHENAI

I'm a freelance Art Director & Set Designer based in Toronto

What do you do?

I'm a freelance Art Director & Set Designer based in Toronto, I was previously based in London. I work on music videos, fashion shoots, commercials, and more recently, spatial design—basically, anything that needs a creative, visually striking setup! I love collaborating with artists, directors, and brands to bring their ideas to life.

Your work spans both Toronto and London. How do these diverse cultural environments influence your approach to set and art direction?

I get influenced very quickly by whatever environment I’m in. The coolest thing about Toronto and London is that they are incredibly diverse but also move at very different paces. London has a fast-paced, almost constant energy that pushes you to be quick and reactive, while Toronto has a more relaxed vibe, which has opened my eyes to where I want my work to take me. I’ve been working on many more spatial design projects, especially for art exhibitions and installations, which have introduced me to a whole new way of designing a space. I’m meeting many talented designers and production designers, and I’m learning a lot about approaching set and spatial design with fresh perspectives and new techniques.

What is one set or project you dream of bringing to life, and why would it feel like a defining moment in your career?

There’s so many ideas and projects thatI’ve not had the chance to execute (yet) but something I really want to work towards is stage design. It would be amazing to collaborate with a team where every detail is thought about right to the last second—from the lighting to the textures and all the technical elements. I’m really big on collaboration, so the idea of working closely with different creatives to bring a live performance to life feels so exciting. I’ve spent so much time working on projects behind the screen, so getting to design something that’s happening live and in the moment would be such a defining experience for me.

In your collaborations, such as with artist ENNY, how do you balance your creative vision with the artist's message and identity?

Working with artists like ENNY, who I already admire, makes the process exciting and natural. Her distinct style resonated with me, so our visions aligned easily. Balancing my creative vision with the artist's message is about blending their inspirations with my ideas while staying open to their perspective—even if it’s as simple as “because it looks cool.” It’s all about creating something that feels authentic to them.

As a set and art director, how do you perceive life and translate those perspectives into visual narratives that resonate with your audience?

I’m big on experiencing things firsthand—whether it’s a random club night somewhere, an exhibition I saw back in 2016, or something else entirely. For me, it’s about pulling from real-life moments, spaces, and emotions to create something that feels authentic. It’s like the visual version of ‘writing about what you know’—the more personal and genuine the inspiration, the more it resonates with the audience.

What do you want your audience to feel or understand about you when they engage with your work and the visuals you create?

The more projects I work on, the more I realise I want to develop a signature style. My main focus is creating visuals that are striking—whether it’s through bold colours, textures, or unexpected elements. Something that catches your eye even if it doesn’t have an obvious meaning at first, and could be featured on other mood boards.

WHAT ARE YOUR 5 MOST LISTENED SONGS?

Like A Ribbon - John Glacier ft Sampha

Gold Teeth - Blood Orange (ft Project Pat, Gangsta Boo & Tinashe)

Frauds - Vv Pete & Mall Grab (mall grab remix)

Hello, Hi - Little SimZ

Elevator Music: Zack Fox (DJ Mix)

OZIOMA, the Rhythm Curator

My name is OZIOMA, on socials I go by @chinasa_n

Ozioma likes to talk about everything that involves creativity, especially music and she’s trying to get deeper into tv/film..

What do you do?

That’s a hard question. Basically I like to talk about everything that involves creativity, especially music and I’m trying to get deeper into tv/film. Music journalism is definitely a hard field to be in but there is so much good music to be shared!

What do you think is the most important element of building a loyal audience in the music and culture space?

Apart from good music, I’d say an important element is being present with your fans, whether that’s checking in online, sharing behind the scenes and meaning behind your work or giving back in other ways. There are unobtrusive ways to show appreciation and share art beyond what’s released and I think audiences really respond to that openness.

How did you first get into writing and covering music and artists?

I’ve loved writing ever since I could remember but I first got interested in writing about music when I heard of an artist in my community. She was a friend of a friend. Her music was fabulous and ethereal but because she was African, I felt her music was underrated. So I took it upon myself to start pitching to outlets I thought would appreciate her vision and somehow I got accepted. It was an amazing feeling but what was even more rewarding was the chance to pick the artist’s brain during the interview and immerse myself into her world to write the piece. I knew then that I had to keep doing this. The artist’s name is Turunesh, check her out!

With balancing your 9-5 job with your passion for creating content about music, What does a typical day look like for you?

I have a very typical schedule depending on my deadlines and work events. During my lunch break, I’m usually doing one or more of these: checking my email, reviewing my editor’s notes or posting music content. After work, I’m often headed to a concert or film - for work or fun or both. If I have a close deadline, I head to a café to write. If I have none of these, then I tackle my very long list of errands.

WHAT ARE YOUR 5 MOST LISTENED SONGS?

Poppin Out (Mistakes) -Chxrry 22

fêteRock-onoola-sama & DEELA

Favourite Psycho-Qing Madi

LO QUE LO PASÓ A HAWAii - Bad Bunny

Pedigree by Ari Lennox

DARYNEL, the Culture Worker

My name is DARYNEL and I’m a Caribbean Canadian Culture Worker and World Builder

I’m a Caribbean Canadian Culture Worker, majoring in experience curation and discovery through art via my brain child Pear’d Experiences. I also work as a World Builder through Costume Design and Wardrobe Styling, as The Overdressed Unusual.

Q: What does “Community” mean to you, how do You actively cultivate it in your daily work and life?

A: Growing up queer, in a lower middle class home, in a Caribbean country, can leave you feeling isolated. I learnt at a very young age how to cultivate a chosen family, who share similar interests and bring you closer to yourself every time you interact. My friends [family] are who make life better through their support and love. I want everyone to experience that and maximize on the opportunities to share in that. Culture Work is heavily reliant on community building for execution (through collaboration) and intention (because community is the power house behind what moves culture). Working in CD and styling also involves heavy collaboration and understanding in order to build worlds that people can relate to.

Q: What story’s of the Caribbean culture do you think is underrepresented and how do you address this in your work?
A: I think my main goal with most of my work is to platform and amplify the voices of queer people in the Caribbean and its diaspora. With most ventures seeking to expand the reach of Caribbean culture, it’s almost as if tastemakers stand resolute in excluding queer individuals from the narrative or have them as silent contributors. My purpose (with the privilege I have) is to not only preserve the aspects of a culture that means something to me but also to make sure that the people involved in creating the culture have their identities preserved as well.

Q:If you could create a single project that combines all your passions, what would it look like?

A :Through Pear’d Experiences, I’ve been able to develop an event series called Poppy Show that encapsulates all the things I love about my caribbeaness while navigating queerness. I’ve been able to scale over the last 3 years through collaborations and partnerships that have really solidified my purpose in my new home. As for dream projects, my work in film and tv, writing and other arts spaces have really brought me closer to bringing a documentary idea that I’ve had in mind to life. I’d want to look at dancehall as a subculture and its connections to QBIPOC subcultures globally.

WHAT ARE YOUR 5 MOST LISTENED SONGS?

F* Me - Shy girl

BooBoo - Yaeji

My Humps just wanna vroom vromm - dj g2g

Denial is a river - Doechii

Ackee - Sadboi